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Art BlakeyHold On, I'm Coming

Vinyl pressings

Hold On, I'm Coming

by Art Blakey · 1966

14 pressings7 countriesSoul-JazzJazz-FunkJazzStage & Screen

Hold On, I'm Coming was first pressed on vinyl in 1966. Every vinyl pressing is listed below with its label, catalog number and runout codes, so you can tell an original from a reissue.

How to spot a first pressing of Hold On, I'm Coming

8 pressings came out in 1966, the album's first year, in 5 countries. Compare the label and catalog number on your copy, then the codes etched or stamped in the runout groove (the dead wax around the label): they are the surest sign of an early pressing.

US

September 1966
Label and catalog number
Limelight LS 86038
Format
LP, Album, Stereo
Runout / matrix

LS 86038A- M1 MRRunout A

LS 86038B- M1 MRRunout B

Full details of this pressing

US

September 1966
Label and catalog number
Limelight LS 86038
Format
LP, Album, Stereo
Runout / matrix

2/86038 A 2 TSide A runout

2/86038 B 1 - TSide B runout

Full details of this pressing

UK

1966
Label and catalog number
Mercury LML 4023Mercury 210 031 LML
Format
LP, Album, Mono
Runout / matrix

210031 1L▽1 420 11A runout stamped

210031 2L▽1 420 1 1B runout stamped

210 031 1LA label

210 031 2LB label

Full details of this pressing

Not sure how to read the runout? See matrix numbers, runout and dead wax and how to tell a first pressing.

All 14 vinyl pressings

By decade, oldest first. Open a pressing for its full label, barcode and runout details.

1960s9 pressings
YearCountryLabel and catalog numberFormat
1966JapanMercury SM-7240First yearLP, Album, StereoLP, Album, Stereo
1966NetherlandsMercury 220 031 LMYFirst yearLP, Album, StereoLP, Album, Stereo
1966UKMercury LML 4023 / Mercury 210 031 LMLFirst yearLP, Album, Mono · MonoLP, Album, Mono · Mono
1966USLimelight LM 82038First yearLP, Album, Mono · MonoLP, Album, Mono · Mono
1966USLimelight LM 82038First yearLP, Album, Promo, Mono · Promo, MonoLP, Album, Promo, Mono · Promo, Mono
1966VenezuelaCirculo Musical 369First yearLP, Album, StereoLP, Album, Stereo
1966USLimelight LS 86038First yearLP, Album, StereoLP, Album, Stereo
1966USLimelight LS 86038First yearLP, Album, StereoLP, Album, Stereo
1967Taiwan中聲 CSJ 484 / 中聲 CSJ-484LP, Album, Unofficial Release, Stereo · Unofficial, Colored vinylLP, Album, Unofficial Release, Stereo · Unofficial, Colored vinyl
Year unknown5 pressings
YearCountryLabel and catalog numberFormat
?CanadaMercury LM 82038LP, Album, Mono · MonoLP, Album, Mono · Mono
?NetherlandsMercury 220 031 LMYLP, Album, StereoLP, Album, Stereo
?UKMercury SLML 4023LP, Album, StereoLP, Album, Stereo
?USLimelight LS 86038 / Limelight LM 82038LP, Album, StereoLP, Album, Stereo
?VenezuelaCirculo Musical No. 369LP, AlbumLP, Album

Tracklist

  1. A1Daydream3:00
  2. A2Hold On, I'm Coming2:30
  3. A3Secret Agent Man2:54
  4. A4I Can't Grow Peaches On A Cherry Tree2:07
  5. A5Walking My Cat Named Dog1:48
  6. A6Sakeena3:39
  7. B1Got My Mojo Working3:16
  8. B2Mame (From The Broadway Production ''Mame'')2:51
  9. B3She Blew A Good Thing2:15
  10. B4Monday, Monday2:17
  11. B5Slowly But Surely7:05

Questions

How many vinyl pressings of Hold On, I'm Coming are there?

14 vinyl pressings of Hold On, I'm Coming are listed here, from 7 countries, released between 1966 and 1967.

When was Hold On, I'm Coming first released on vinyl?

The earliest pressings are from 1966, in US, UK, Japan, Netherlands and more. One of them is Limelight LS 86038, released September 1966.

How do I tell if my copy of Hold On, I'm Coming is a first pressing?

Check the catalog number on the label (first-year pressings use LS 86038, LM 82038, LML 4023, SM-7240) and the codes etched in the runout groove, then compare them with the pressings listed above; for example, LS 86038A- M1 MR and LS 86038B- M1 MR. Later reissues often keep the catalog number but change the label design or the runout codes.

How much is Hold On, I'm Coming on vinyl worth?

It depends on which pressing you have and on the condition of the record and its sleeve. Early pressings from the album's home country in near mint condition are usually worth the most; common later reissues are worth far less. Scan your copy with VinylLens to see its value for every grade.

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