US
February 1953- Label and catalog number
- Pacific Jazz 602
- Format
- 10", 78 RPM
Vinyl pressings
by Gerry Mulligan Quartet · 1953
Frenesi / Nights At The Turntable was first pressed on vinyl in 1953. Every vinyl pressing is listed below with its label, catalog number and runout codes, so you can tell an original from a reissue.
2 pressings came out in 1953, the album's first year. Compare the label and catalog number on your copy, then the codes etched or stamped in the runout groove (the dead wax around the label): they are the surest sign of an early pressing.
Label Side A: PJ 232
Label Side B: PJ 233
Not sure how to read the runout? See matrix numbers, runout and dead wax and how to tell a first pressing.
By decade, oldest first. Open a pressing for its full label, barcode and runout details.
| Year | Country | Label and catalog number | Format |
|---|---|---|---|
| 1953 | US | Pacific Jazz 45-602First year7", 45 RPM, Single | 7", 45 RPM, Single |
| 1953 | US | Pacific Jazz 602First year10", 78 RPM | 10", 78 RPM |
| 1956 | UK | Vogue Productions 45/V 21577", 45 RPM, Single | 7", 45 RPM, Single |
| 1956 | UK | Vogue Records V2157Shellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| Year | Country | Label and catalog number | Format |
|---|---|---|---|
| ? | Italy | Music 3120x457", 45 RPM | 7", 45 RPM |
| ? | Scandinavia | Embassy 159Shellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| ? | Scandinavia | Embassy 159Shellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| ? | UK | Vogue Records V 2157Shellac, 10", 78 RPM, Mono · Mono | Shellac, 10", 78 RPM, Mono · Mono |
| ? | UK | Vogue Records V2157Shellac, 10", 78 RPM, Mono · Mono | Shellac, 10", 78 RPM, Mono · Mono |
| ? | US | World Pacific Records 45-6027", 45 RPM | 7", 45 RPM |
10 vinyl pressings of Frenesi / Nights At The Turntable are listed here, from 4 countries, released between 1953 and 1956.
The earliest pressings are from 1953, in US. One of them is Pacific Jazz 602, released February 1953.
Check the catalog number on the label (first-year pressings use 602, 45-602) and the codes etched in the runout groove, then compare them with the pressings listed above. Later reissues often keep the catalog number but change the label design or the runout codes.
It depends on which pressing you have and on the condition of the record and its sleeve. Early pressings from the album's home country in near mint condition are usually worth the most; common later reissues are worth far less. Scan your copy with VinylLens to see its value for every grade.