US
1955- Label and catalog number
- Dot Records 15443
- Format
- Shellac, 10", 78 RPM
- Runout / matrix
MB 9034 IRunout, side A, stamped
MB 9035 II IRunout, side B, stamped
MB9034Label side A
MB9035Label side B

Vinyl pressings
by Pat Boone · 1955
Tutti-Frutti / I'll Be Home was first pressed on vinyl in 1955. Every vinyl pressing is listed below with its label, catalog number and runout codes, so you can tell an original from a reissue.
8 pressings came out in 1955, the album's first year, in 5 countries. Compare the label and catalog number on your copy, then the codes etched or stamped in the runout groove (the dead wax around the label): they are the surest sign of an early pressing.
MB 9034 IRunout, side A, stamped
MB 9035 II IRunout, side B, stamped
MB9034Label side A
MB9035Label side B
MSD-1160-1A stamped
MSD-1161-1B stamped
DT 3A side runout, stamped
DT 4B side runout, stamped
DT 3Runout side A
DT 4Runout side B
dt 3Label side A
dt 4Label side B
D-1001-2(Tutti Frutti)
D-1001-1(I'll Be Home)
Not sure how to read the runout? See matrix numbers, runout and dead wax and how to tell a first pressing.
By decade, oldest first. Open a pressing for its full label, barcode and runout details.
| Year | Country | Label and catalog number | Format |
|---|---|---|---|
| 1955 | Denmark | Dot Records D 45-102First year7", 45 RPM, Single | 7", 45 RPM, Single |
| 1955 | Denmark | Dot Records D 45-102First year7", 45 RPM, Single | 7", 45 RPM, Single |
| 1955 | Denmark | Dot Records D 102First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1955 | Germany | London Records L 20 036First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1955 | New Zealand | London Records HL.8253First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1955 | UK | London American Recordings HL-D.8253First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1955 | UK | London American Recordings HL-D.8253Shellac, 10", 78 RPM, Single Sided, Test Pressing · Test pressing | Shellac, 10", 78 RPM, Single Sided, Test Pressing · Test pressing |
| 1955 | US | Dot Records 15443First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1955 | US | Dot Records 15443First yearShellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1956 | Unknown | London Records 45-HL 70077", 45 RPM | 7", 45 RPM |
| 1956 | Australia | London Records HL-1064Shellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| 1956 | Belgium | Versailles 9-1.0157", 45 RPM | 7", 45 RPM |
| 1956 | Canada | Reo 8078X7", 45 RPM | 7", 45 RPM |
| 1956 | Canada | Dot Records GT-001X7", 45 RPM | 7", 45 RPM |
| 1956 | Denmark | Dot Records D 45-1027", 45 RPM, Single | 7", 45 RPM, Single |
| Year | Country | Label and catalog number | Format |
|---|---|---|---|
| 1977 | Austria | ABC Records 17 989 AT7", 45 RPM, Single, Mono · Mono | 7", 45 RPM, Single, Mono · Mono |
| 1977 | Germany | ABC Records 17 989 AT7", 45 RPM, Single, Mono · Mono | 7", 45 RPM, Single, Mono · Mono |
| Year | Country | Label and catalog number | Format |
|---|---|---|---|
| ? | Denmark | Dot Records D 45-1027", 45 RPM, Single | 7", 45 RPM, Single |
| ? | Germany | London Records DL 20 0367", 45 RPM, Single | 7", 45 RPM, Single |
| ? | Germany | London Records DL 20 0367", 45 RPM | 7", 45 RPM |
| ? | Germany | London Records DL 20 0367", 45 RPM, Single, Repress | 7", 45 RPM, Single, Repress |
| ? | Italy | London Records HL 8253Shellac, 10" | Shellac, 10" |
| ? | Sweden | Dot Records D-45-10017" | 7" |
| ? | UK | London American Recordings HL-D.8253Shellac, 10", 78 RPM | Shellac, 10", 78 RPM |
| ? | UK | London American Recordings 45-HL.D 8253 / London Dot 45-HL.D 82537", 45 RPM, Single, Reissue | 7", 45 RPM, Single, Reissue |
| ? | US | Dot Records 45-154437", 45 RPM, Single | 7", 45 RPM, Single |
49 vinyl pressings of Tutti-Frutti / I'll Be Home are listed here, from 12 countries, released between 1955 and 1977.
The earliest pressings are from 1955, in US, UK, Denmark, Germany and more. One of them is Dot Records 15443.
Check the catalog number on the label (first-year pressings use 15443, HL-D.8253, D 45-102, D 102) and the codes etched in the runout groove, then compare them with the pressings listed above; for example, MB 9034 I and MB 9035 II I. Later reissues often keep the catalog number but change the label design or the runout codes.
It depends on which pressing you have and on the condition of the record and its sleeve. Early pressings from the album's home country in near mint condition are usually worth the most; common later reissues are worth far less. Scan your copy with VinylLens to see its value for every grade.